My photographs begin with an idea.

Then something happens that I hadn't expected.

That is where my work begins.

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I prepare a scene, build a set and make the photograph. It is only later, returning to the image, that I begin to notice something I hadn't seen before. Rather than confirming an idea, photography becomes a way of discovering one.

I work mainly with the body, portraiture and light. What interests me is the moment when an image begins to move beyond what it shows and starts to suggest something else. I don't want to define its meaning or direct its interpretation. I prefer each photograph to remain open, allowing memory, perception and personal experience to become part of the work.

Every image invites us to look again.

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